I’m currently finishing a write up of the award-winning film Never Stand Still, a documentary about the acclaimed school and festival, Jacob’s Pillow Dance. 
Created by Ted Shawn, the space was used to showcase and legitimize male dancers, and became a place where dancers of various styles could come together to workshop and perform their pieces. Each year, the school takes on students from all over the world and also features performances from international artists (of all mediums) and dance companies who come together to collaborate, educate, and present their work to the public. 
As a non-dancing, lover of dance, I was enthralled by the history of The Pillow and the drive and passion of each of the artists involved. The dancers who come to The Pillow are there to learn and are open to new ideas and techniques, to growth. The heads of the school and organization itself have such an appreciation of the art form and of the human body as a tool for expression. While a longer, more in-depth review will be posted on my website, I should say now that I loved the film and I encourage everyone to check it out. Never Stand Still opens in New York City at the Quad Cinema today. More information about the film’s run in other cities can be found here. You can also pre-order the documentary, narrated by the fabulous Bill T. Jones, here.
(For those of you able to attend the film’s premiere, tonight at 6:15 pm, Ella Baff, Executive and Artistic Director of the Jacob’s Pillow Dance Festival, Choreographer Bill T Jones, and Stage Designer/visual artist Bjorn Amelin, will be joining filmmakers Ron Honsa and Nan Penman to introduce and do a Q&A following the screening.)

I’m currently finishing a write up of the award-winning film Never Stand Still, a documentary about the acclaimed school and festival, Jacob’s Pillow Dance.

Created by Ted Shawn, the space was used to showcase and legitimize male dancers, and became a place where dancers of various styles could come together to workshop and perform their pieces. Each year, the school takes on students from all over the world and also features performances from international artists (of all mediums) and dance companies who come together to collaborate, educate, and present their work to the public.

As a non-dancing, lover of dance, I was enthralled by the history of The Pillow and the drive and passion of each of the artists involved. The dancers who come to The Pillow are there to learn and are open to new ideas and techniques, to growth. The heads of the school and organization itself have such an appreciation of the art form and of the human body as a tool for expression. While a longer, more in-depth review will be posted on my website, I should say now that I loved the film and I encourage everyone to check it out.

Never Stand Still opens in New York City at the Quad Cinema today. More information about the film’s run in other cities can be found here. You can also pre-order the documentary, narrated by the fabulous Bill T. Jones, here.
(For those of you able to attend the film’s premiere, tonight at 6:15 pm, Ella Baff, Executive and Artistic Director of the Jacob’s Pillow Dance Festival, Choreographer Bill T Jones, and Stage Designer/visual artist Bjorn Amelin, will be joining filmmakers Ron Honsa and Nan Penman to introduce and do a Q&A following the screening.)

Mini-preview of The Wettest County in the World in Entertainment Weekly. I vote for more vulnerable!Tom Hardy always.

Mini-preview of The Wettest County in the World in Entertainment Weekly. I vote for more vulnerable!Tom Hardy always.

bohemea:

So much has been written about those few words at the end that Bob whispers into Charlottes’ ear. We can’t hear them. They seem meaningful for both of them. Coppola said she didn’t know. It wasn’t scripted. Advanced sound engineering has been used to produce a fuzzy enhancement. Harry Caul of The Conversation would be proud of it, but it’s entirely irrelevant. Those words weren’t for our ears. Coppola (1) didn’t write the dialog, (2) didn’t intentionally record the dialogue, and (3) was happy to release the movie that way, so we cannot hear. Why must we know? Do we need closure? This isn’t a closure kind of movie. We get all we need in simply knowing they share a moment private to them, and seeing that it contains something true before they part forever.
- Roger Ebert on Lost In Translation

Breaks my damn heart every single time.

bohemea:

So much has been written about those few words at the end that Bob whispers into Charlottes’ ear. We can’t hear them. They seem meaningful for both of them. Coppola said she didn’t know. It wasn’t scripted. Advanced sound engineering has been used to produce a fuzzy enhancement. Harry Caul of The Conversation would be proud of it, but it’s entirely irrelevant. Those words weren’t for our ears. Coppola (1) didn’t write the dialog, (2) didn’t intentionally record the dialogue, and (3) was happy to release the movie that way, so we cannot hear. Why must we know? Do we need closure? This isn’t a closure kind of movie. We get all we need in simply knowing they share a moment private to them, and seeing that it contains something true before they part forever.

- Roger Ebert on Lost In Translation

Breaks my damn heart every single time.

(Source: rogerebert.suntimes.com)

under-radar-mag:

This morning the latest trailer for Marc Webb’s reboot of the Spider-Man franchise found its way online and one thing is certain: it definitely seems to be a truer take on Stan Lee’s classic comic book hero. (via Watch: “The Amazing Spider-Man” Trailer | Under The Radar)



This. Looks. Fantastic.

under-radar-mag:

This morning the latest trailer for Marc Webb’s reboot of the Spider-Man franchise found its way online and one thing is certain: it definitely seems to be a truer take on Stan Lee’s classic comic book hero. (via Watch: “The Amazing Spider-Man” Trailer | Under The Radar)


This. Looks. Fantastic.

You should read this entire essay by a collaborator of Spike Lee’s. You really really should. (Via Deadline.)

(via lizlet)

America is a super power not because we make the biggest guns. We’re a superpower because our culture has saturated the planet: Levis, Apple, Nike, Disney, Coke, Pepsi, McDonald’s, Jazz, Rhythm n Blues, Rock ‘n Roll, and Hip Hop. Our culture dominates the world far more than any nuclear bomb can. When you can make a person think a certain way, you don’t have to bomb them. Just give them some credit cards, a wide screen 3D TV, some potato chips, and watch what happens. This kind of cultural war, a war of propaganda and words, elements that both Hollywood and Washington know a lot about, makes America powerful beyond measure. The hard metal of this cultural weaponry, much of it, emanates from the soul of Blacks, the African American experience in music, dance, art and literature.

Reblog if you legally purchased something BECAUSE you saw it on YouTube or downloaded it.

watertightvines:

And without the so-called piracy, you would never have discovered or gotten into it to begin with.

I don’t usually reblog these things, but it’s very true. If I rent a movie, I usually get it from the library where I do not pay for it. Downloading or doing the youtube thing is similar. Almost every film that I have purchased, I have seen online first. I would never, ever sell a film online, so when I share, I do not profit from it. I’m just passing along something that I like and often, the people I send it to end up purchasing it from a legitimate source as well.

ETA: I just found out about megaupload. I’m furious.

(via rcmclachlan)

Moi je voulais juste un corps
Je cherchais seulement des bras
Un lit de réconfort des délices sous les draps
Mais hélas au lieu de ca
J’ai cru entendre Je t’aime


This song. This film. Toujours.

pantyfire:

INCEPTION FANDOM:

Watch some guy named Kyle Johnson talk ‘Inception and Philosophy’. *

For 43 minutes.


* We all know most of the things he talks about.
We might not agree with all of it.
But, goddamn, it’s a great reminder that Inception is a fucking awesome movie.

I know what I’m doing tonight!

cheschirecat38:

Climb into the ring for a battle that you can’t win…

I wish more people had seen this film, because it’s really fantastic.

(Source: therewasneverjustone, via fuckyeahtomhardy)

hellogiggles:

Taken with instagram


Gimme that commentary track, Abrams.

hellogiggles:

Taken with instagram

Gimme that commentary track, Abrams.

directorsnarrative:

Holy moley.

hitrecordjoe:

#TDKR
I would post this even if I weren’t in it.

And to quote the YouTuber who uploaded it…

Christopher Nolan also created a great movie called The Prestige…

The Pledge (Batman Begins): Shows you something ordinary, asks you to inspect it to see if it is normal. But of course it isn’t.

The Turn (The Dark Knight): Takes the ordinary something and makes it extraordinary. But making something extraordinary isn’t enough.

The Prestige: Takes the extraordinary and flips it on its head. That’s why there has to be a third act, the hardest part. The Dark Knight Rises.”

This movie is going to kill me.